Wolfgang Koeppens auseinandersetzung mit der tradition: aspekte der intertextualität in der so genannten nachkriegs‐trilogie
- Authors: Weber, Undine S
- Date: 2015
- Subjects: Koeppen, Wolfgang, 1906-1996 -- Criticism and interpretation , Koeppen, Wolfgang, 1906-1996 -- Works -- 1986 , German fiction -- 20th century -- History and criticism
- Language: German
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3658 , http://hdl.handle.net/10962/d1020833
- Description: Wolfgang Koeppen’s three post‐war novels have often been called a trilogy, purely based on their publication in rapid succession in the early 1950s. This study establishes a connection between the works by looking at their roots in Irish, Anglo‐American, French and German modernism, and shows up links between Wolfgang Koeppen, James Joyce, E.E. Cummings, Charles Baudelaire and Thomas Mann. This comparative analysis concludes, by integrating socio‐political factors of life in West Germany after World War II, that Koeppen transcends the modernist tradition – the fact that modernism has become tradition, i.e. it has become “classic”, in contradiction to being “modern”. Koeppen’s texts do not only allude to and build on classic texts and refer to stylistic and narrative modernist elements such as stream‐of‐consciousness and sketching a fragmented society in turmoil; the very act of recurring to myths and texts of the Western canon in order to depict the disaffected individual is an almost post‐modern one.
- Full Text:
- Date Issued: 2015
- Authors: Weber, Undine S
- Date: 2015
- Subjects: Koeppen, Wolfgang, 1906-1996 -- Criticism and interpretation , Koeppen, Wolfgang, 1906-1996 -- Works -- 1986 , German fiction -- 20th century -- History and criticism
- Language: German
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3658 , http://hdl.handle.net/10962/d1020833
- Description: Wolfgang Koeppen’s three post‐war novels have often been called a trilogy, purely based on their publication in rapid succession in the early 1950s. This study establishes a connection between the works by looking at their roots in Irish, Anglo‐American, French and German modernism, and shows up links between Wolfgang Koeppen, James Joyce, E.E. Cummings, Charles Baudelaire and Thomas Mann. This comparative analysis concludes, by integrating socio‐political factors of life in West Germany after World War II, that Koeppen transcends the modernist tradition – the fact that modernism has become tradition, i.e. it has become “classic”, in contradiction to being “modern”. Koeppen’s texts do not only allude to and build on classic texts and refer to stylistic and narrative modernist elements such as stream‐of‐consciousness and sketching a fragmented society in turmoil; the very act of recurring to myths and texts of the Western canon in order to depict the disaffected individual is an almost post‐modern one.
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- Date Issued: 2015
Hesiods Vorstellungen von Moipa, Timh, Themis and Dikh
- Authors: Spandau, Stefanie
- Date: 1973
- Subjects: Hesiod , Homer , Greek poetry -- Criticism and interpretation
- Language: German
- Type: Thesis , Masters , MA
- Identifier: vital:3642 , http://hdl.handle.net/10962/d1014548
- Description: [Moipa, Timh, Themis and Dikh] geben Aufsehluβ über die Anschauungen des von Homer und Hesiod dargestellten Menschen, seinen Glauben, seine Rechts- und Staatsauffassung und seine Einsehatzung des Menschen. Moipa stellt einen Glaubensbereich dar, der neben den Göttern Gültigkeit hat. Timh ist ein Maβstab, an dem gewisse Menschen und aIle Götter gewertet werden. Themis und Dikh verkörpen Vorstellungen, die aus der politisch-rechtlichen Sphäre stammen. Darüber hinaus stellen diese vier Anschauungen den Versuch des Menschen dar, sich und seine Welt zu verstehen und sich in dieser Welt zurechtzufinden. Der Schiecksalsglaube stellt das Verständnis des Menschen von den ihn persönlich treffenden Ereignissen dar. Durch die Timh findet der Mensch oder Gott seinen ihm zugewiesenen Rang innerhalb der Gesellschaft; sie verleiht dem Einzelnen die Selbstsicherheit und den Wert, den er besitzen muβ, um vor den anderen bestehen zu können. Themis und Dikh sind Stutzen und Pfeiler, auf denen die Gesellschaft basiert. Mit ihr ordnet der Mensch seine Gemeinschaft rechtlich und politisch.
- Full Text:
- Date Issued: 1973
- Authors: Spandau, Stefanie
- Date: 1973
- Subjects: Hesiod , Homer , Greek poetry -- Criticism and interpretation
- Language: German
- Type: Thesis , Masters , MA
- Identifier: vital:3642 , http://hdl.handle.net/10962/d1014548
- Description: [Moipa, Timh, Themis and Dikh] geben Aufsehluβ über die Anschauungen des von Homer und Hesiod dargestellten Menschen, seinen Glauben, seine Rechts- und Staatsauffassung und seine Einsehatzung des Menschen. Moipa stellt einen Glaubensbereich dar, der neben den Göttern Gültigkeit hat. Timh ist ein Maβstab, an dem gewisse Menschen und aIle Götter gewertet werden. Themis und Dikh verkörpen Vorstellungen, die aus der politisch-rechtlichen Sphäre stammen. Darüber hinaus stellen diese vier Anschauungen den Versuch des Menschen dar, sich und seine Welt zu verstehen und sich in dieser Welt zurechtzufinden. Der Schiecksalsglaube stellt das Verständnis des Menschen von den ihn persönlich treffenden Ereignissen dar. Durch die Timh findet der Mensch oder Gott seinen ihm zugewiesenen Rang innerhalb der Gesellschaft; sie verleiht dem Einzelnen die Selbstsicherheit und den Wert, den er besitzen muβ, um vor den anderen bestehen zu können. Themis und Dikh sind Stutzen und Pfeiler, auf denen die Gesellschaft basiert. Mit ihr ordnet der Mensch seine Gemeinschaft rechtlich und politisch.
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- Date Issued: 1973
Africa - Black on White
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Open OHR Festival , Jazz
- Language: German
- Type: Article
- Identifier: vital:13761 , http://hdl.handle.net/10962/d1012776
- Description: Photocopied article from the German newspaper Metropol-Gesellschaft about a concert by Chris McGregor’s Brotherhood of Breath at the Open OHR Festival in Mainz, Germany.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Open OHR Festival , Jazz
- Language: German
- Type: Article
- Identifier: vital:13761 , http://hdl.handle.net/10962/d1012776
- Description: Photocopied article from the German newspaper Metropol-Gesellschaft about a concert by Chris McGregor’s Brotherhood of Breath at the Open OHR Festival in Mainz, Germany.
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Sometimes black, sometimes white urges Africa to Mainz Open Ohr Festival
- Authors: Deul, Dieter
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Open Ohr Festival , Jazz , Jazz musicians
- Language: German
- Type: Article
- Identifier: vital:13525 , http://hdl.handle.net/10962/d1006102 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Open Ohr Festival , Jazz , Jazz musicians
- Description: Photocopied article from the German newspaper Metropol-Gesellschaft about the music Open Ohr Festival in Mainz, Germany, where Chris McGregor’s Brotherhood of Breath is playing.
- Full Text:
- Authors: Deul, Dieter
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Open Ohr Festival , Jazz , Jazz musicians
- Language: German
- Type: Article
- Identifier: vital:13525 , http://hdl.handle.net/10962/d1006102 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Open Ohr Festival , Jazz , Jazz musicians
- Description: Photocopied article from the German newspaper Metropol-Gesellschaft about the music Open Ohr Festival in Mainz, Germany, where Chris McGregor’s Brotherhood of Breath is playing.
- Full Text:
Too hot in the tents for Africa
- Authors: Olschewski, Sigrid
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: German
- Type: Article
- Identifier: vital:13628 , http://hdl.handle.net/10962/d1012505 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Description: Photocopied article from the German newspaper Metropol-Gesellschaft about the music Open OHR Festival in Mainz, Germany, where Chris McGregor’s Brotherhood of Breath is playing. There is a picture untitled "Black and White wedding" with this article.
- Full Text:
- Authors: Olschewski, Sigrid
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: German
- Type: Article
- Identifier: vital:13628 , http://hdl.handle.net/10962/d1012505 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Description: Photocopied article from the German newspaper Metropol-Gesellschaft about the music Open OHR Festival in Mainz, Germany, where Chris McGregor’s Brotherhood of Breath is playing. There is a picture untitled "Black and White wedding" with this article.
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