Cosmological efficacy and the politics of Sacred Place: Soli Rainmaking in contemporary Zambia
- Authors: Simbao, Ruth K
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147482 , vital:38642 , https://doi.org/10.1162/AFAR_a_00163
- Description: In this article I analyze cosmological efficacy in light of the politicization and apparent secularization of contemporary annual ceremonies in Zambia, south-central Africa, which are framed by scholars as neotraditional (Lentz 2001), folklorized (van Binsbergen 1994), or retraditionalized (Gould 2005:3, 6) events. My term “festivalization” registers the formalization of Zambian performances such as rituals, harvest festivals, inaugurations, and initiations as annual festival events, but does not imply a pejorative attitude towards cultural change and so-called inauthenticity, as the words “folklorization” or “retraditionalization” seem to do.
- Full Text:
- Date Issued: 2014
- Authors: Simbao, Ruth K
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147482 , vital:38642 , https://doi.org/10.1162/AFAR_a_00163
- Description: In this article I analyze cosmological efficacy in light of the politicization and apparent secularization of contemporary annual ceremonies in Zambia, south-central Africa, which are framed by scholars as neotraditional (Lentz 2001), folklorized (van Binsbergen 1994), or retraditionalized (Gould 2005:3, 6) events. My term “festivalization” registers the formalization of Zambian performances such as rituals, harvest festivals, inaugurations, and initiations as annual festival events, but does not imply a pejorative attitude towards cultural change and so-called inauthenticity, as the words “folklorization” or “retraditionalization” seem to do.
- Full Text:
- Date Issued: 2014
Rise and fall of apartheid: photography and the bureaucracy of everyday life
- Authors: Simbao, Ruth K
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147604 , vital:38653 , DOI: 10.1080/02533952.2014.998052
- Description: The exhibition catalogue Rise and Fall of Apartheid is a valuable collection of photographic images that create, according to Enwezor, “a critical visualization and interrogation of […] [apartheid’s] normative symbols, signs and representation” (18). The catalogue focuses on African subjects as “agents of their own emancipation” (18), and contextualises South Africa’s anticipation of the end of apartheid within broader global changes in the late 1980s. Essays by Okwui Enwezor, Michael Godby, Achille Mbembe, Darren Newbury, Colin Richards, Patricia Hayes, Andries Walter Olifant, Rory Bester and Khwezi Gule are included in the catalogue, and are interspersed between photographic images that are grouped in chronological clusters: 1948–1959; 1960–1969; 1970–1979; 1980–1989; and 1990–1995.
- Full Text:
- Date Issued: 2014
- Authors: Simbao, Ruth K
- Date: 2014
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147604 , vital:38653 , DOI: 10.1080/02533952.2014.998052
- Description: The exhibition catalogue Rise and Fall of Apartheid is a valuable collection of photographic images that create, according to Enwezor, “a critical visualization and interrogation of […] [apartheid’s] normative symbols, signs and representation” (18). The catalogue focuses on African subjects as “agents of their own emancipation” (18), and contextualises South Africa’s anticipation of the end of apartheid within broader global changes in the late 1980s. Essays by Okwui Enwezor, Michael Godby, Achille Mbembe, Darren Newbury, Colin Richards, Patricia Hayes, Andries Walter Olifant, Rory Bester and Khwezi Gule are included in the catalogue, and are interspersed between photographic images that are grouped in chronological clusters: 1948–1959; 1960–1969; 1970–1979; 1980–1989; and 1990–1995.
- Full Text:
- Date Issued: 2014
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