Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Simbao, Ruth K, Kouoh, Koyo, Nzewi, Ugochukwu-Smooth C, Sousa, Suzana, Koide, Emi
- Authors: Simbao, Ruth K , Kouoh, Koyo , Nzewi, Ugochukwu-Smooth C , Sousa, Suzana , Koide, Emi
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146055 , vital:38491 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
- Full Text:
- Date Issued: 2019
Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Authors: Simbao, Ruth K , Kouoh, Koyo , Nzewi, Ugochukwu-Smooth C , Sousa, Suzana , Koide, Emi
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146055 , vital:38491 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
- Full Text:
- Date Issued: 2019
Rethinking the dialectics of rural and urban in African art and scholarship:
- Siegenthaler, Fiona, Nzewi, Ugochukwu-Smooth C, Siegert, Nadine
- Authors: Siegenthaler, Fiona , Nzewi, Ugochukwu-Smooth C , Siegert, Nadine
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146022 , vital:38488 , DOI: 10.1080/19301944.2018.1538856
- Description: This issue of Critical Interventions is dedicated to rethinking the dialectics of the rural and the urban in African art and scholarship. Inspired by the general theme of the European Conference of African Studies (ECAS/AEGIS) in Basel (June 28 to July 1, 2017), Urban Africa – Urban Africans: New Encounters of the Rural and the Urban, the guest editors of this issue hosted two panels on the relationship of urban-based artists and their interest in rural topographies, aesthetics, and cultural practices.
- Full Text:
- Date Issued: 2019
- Authors: Siegenthaler, Fiona , Nzewi, Ugochukwu-Smooth C , Siegert, Nadine
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146022 , vital:38488 , DOI: 10.1080/19301944.2018.1538856
- Description: This issue of Critical Interventions is dedicated to rethinking the dialectics of the rural and the urban in African art and scholarship. Inspired by the general theme of the European Conference of African Studies (ECAS/AEGIS) in Basel (June 28 to July 1, 2017), Urban Africa – Urban Africans: New Encounters of the Rural and the Urban, the guest editors of this issue hosted two panels on the relationship of urban-based artists and their interest in rural topographies, aesthetics, and cultural practices.
- Full Text:
- Date Issued: 2019
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