Aku dewile nu wakate pwana dewile
- Authors: Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167822 , vital:41513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-05
- Description: The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within earshot. The tuning of the xylophone was:- 976, 880, 784, 672, 584, 488, 440, 392, 336, 292, 244 vs. Zande dance with Kponingbo xylophone, 11 loose notes on 2 banana stalks, and hand bells.
- Full Text: false
- Date Issued: 1952
- Authors: Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167822 , vital:41513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-05
- Description: The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within earshot. The tuning of the xylophone was:- 976, 880, 784, 672, 584, 488, 440, 392, 336, 292, 244 vs. Zande dance with Kponingbo xylophone, 11 loose notes on 2 banana stalks, and hand bells.
- Full Text: false
- Date Issued: 1952
Bagangali
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167368 , vital:41472 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-05
- Description: "I am the only son of my father. My wife, laugh just once so that I may see your teeth." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167368 , vital:41472 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-05
- Description: "I am the only son of my father. My wife, laugh just once so that I may see your teeth." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Bia akponingbo
- Authors: Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167831 , vital:41514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-06
- Description: The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within earshot. The tuning of the xylophone was:- 976, 880, 784, 672, 584, 488, 440, 392, 336, 292, 244 vs. Zande dance with Kponingbo xylophone, 11 loose notes on 2 banana stalks, and hand bells.
- Full Text: false
- Date Issued: 1952
- Authors: Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167831 , vital:41514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0123-06
- Description: The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within earshot. The tuning of the xylophone was:- 976, 880, 784, 672, 584, 488, 440, 392, 336, 292, 244 vs. Zande dance with Kponingbo xylophone, 11 loose notes on 2 banana stalks, and hand bells.
- Full Text: false
- Date Issued: 1952
Bia ku ngbazua
- Mulapala Kpeli, with Chief Gatanga, Mongonika and Zande men, Hugh Tracey
- Authors: Mulapala Kpeli, with Chief Gatanga, Mongonika and Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167359 , vital:41471 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-04
- Description: "A soilder of Ngbazu (Chief Gatanga's father) reported to Ngbazua's elder brother Dagatanga, also a Chief that Ngbzua would not listen to Dagatanga's advice. Dagatanga was offended and the incident gave rise to much trouble." The tuning of the harp includes five notes of a pentatonic scale, the octave above the tonic being omitted. These Zande harp songs seem to slide into an informal start, the singers taking their time into the swing of the melody. Topical song, vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Mulapala Kpeli, with Chief Gatanga, Mongonika and Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167359 , vital:41471 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-04
- Description: "A soilder of Ngbazu (Chief Gatanga's father) reported to Ngbazua's elder brother Dagatanga, also a Chief that Ngbzua would not listen to Dagatanga's advice. Dagatanga was offended and the incident gave rise to much trouble." The tuning of the harp includes five notes of a pentatonic scale, the octave above the tonic being omitted. These Zande harp songs seem to slide into an informal start, the singers taking their time into the swing of the melody. Topical song, vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Bia kundi
- Authors: Muyapala Kpeli , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167404 , vital:41476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-09
- Description: Unlike most harps of this design, this one was held upright with the point of the body on the performers knees, the neck pointing away from him, the strings in a vertical postition and not horizontal. They do not hold their tuning for long and must be returned before each performance. Long song with vertical, angular Kundi harp of 5 strings. and Andzolo metal hand bells.
- Full Text: false
- Date Issued: 1952
- Authors: Muyapala Kpeli , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167404 , vital:41476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-09
- Description: Unlike most harps of this design, this one was held upright with the point of the body on the performers knees, the neck pointing away from him, the strings in a vertical postition and not horizontal. They do not hold their tuning for long and must be returned before each performance. Long song with vertical, angular Kundi harp of 5 strings. and Andzolo metal hand bells.
- Full Text: false
- Date Issued: 1952
Dale mu bele sa
- Authors: Muyapala Kpeli , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167409 , vital:41477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-10
- Description: Unlike most harps of this design, this one was held upright with the point of the body on the performers knees, the neck pointing away from him, the strings in a vertical postition and not horizontal. They do not hold their tuning for long and must be returned before each performance. Long song with vertical, angular Kundi harp of 5 strings. and Andzolo metal hand bells.
- Full Text: false
- Date Issued: 1952
- Authors: Muyapala Kpeli , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Zande , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167409 , vital:41477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-10
- Description: Unlike most harps of this design, this one was held upright with the point of the body on the performers knees, the neck pointing away from him, the strings in a vertical postition and not horizontal. They do not hold their tuning for long and must be returned before each performance. Long song with vertical, angular Kundi harp of 5 strings. and Andzolo metal hand bells.
- Full Text: false
- Date Issued: 1952
Dekuku na degusiya kimakoyo
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167377 , vital:41473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-06
- Description: "He took a wife chosen from amongst the girls of his own village, when she was very young, but another man stole her away from him." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167377 , vital:41473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-06
- Description: "He took a wife chosen from amongst the girls of his own village, when she was very young, but another man stole her away from him." Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Gitare na Congo
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167395 , vital:41475 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-08
- Description: The 'guitar' alluded to in the song is the Kundi. The song is about a blacksmith who beat on his anvil and sang as he did so saying: "My anvil is the real 'guitar' of the Congo. I play it to show how I love my work." It is in this Northern district of the Congo that the art of blacksmithing is unsurpassed. The decorative spears and knives are the pride of the people and feature largely in the list of social and marriage gifts between familes. The singer was given a highly commended prize for this item in the 1952 Osborn Awards for the best African musician of the year. Topical song with Kundi vertical angular harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167395 , vital:41475 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-08
- Description: The 'guitar' alluded to in the song is the Kundi. The song is about a blacksmith who beat on his anvil and sang as he did so saying: "My anvil is the real 'guitar' of the Congo. I play it to show how I love my work." It is in this Northern district of the Congo that the art of blacksmithing is unsurpassed. The decorative spears and knives are the pride of the people and feature largely in the list of social and marriage gifts between familes. The singer was given a highly commended prize for this item in the 1952 Osborn Awards for the best African musician of the year. Topical song with Kundi vertical angular harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Midebina vungu kwato
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167382 , vital:41474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-07
- Description: "I made this song for a friend who was not my brother." The tuning of the harp was:- 352, 324, 288, 240, 220 vs. Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Bakia Pierre , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167382 , vital:41474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-07
- Description: "I made this song for a friend who was not my brother." The tuning of the harp was:- 352, 324, 288, 240, 220 vs. Ngbanda Mandefu, the other harp player, a tall bearded man got up and danced in a style reminiscent of a Cossack dance, snapping his fingers and stamping now and then. Bakia Pierre is a large quietly spoken man who works in a Portuguese butchers shop in the small town of Buta. His songs were greeted with great applause and satisfaction by his fellow Zande in the circle. Topical song, with vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
Mugoi asole
- Mulapala Kpeli, with Chief Gatanga, Mongonika and Zande men, Hugh Tracey
- Authors: Mulapala Kpeli, with Chief Gatanga, Mongonika and Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167322 , vital:41468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-03
- Description: "There was a man who loved Mugai, daughter of a Chief and wanted to marry her. But she refused him. So he came weeping and knelt before her saying, "My Princess, why will you not love me? If you marry me I will be your servitor and care for you. I will even take the jigger fleas out of your feet." The tuning of the harp includes five notes of a pentatonic scale, the octave above the tonic being omitted. These Zande harp songs seem to slide into an informal start, the singers taking their time into the swing of the melody. Topical song, vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- Authors: Mulapala Kpeli, with Chief Gatanga, Mongonika and Zande men , Hugh Tracey
- Date: 1952
- Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Buta f-cg
- Language: Zande/Bandiya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/167322 , vital:41468 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0122-03
- Description: "There was a man who loved Mugai, daughter of a Chief and wanted to marry her. But she refused him. So he came weeping and knelt before her saying, "My Princess, why will you not love me? If you marry me I will be your servitor and care for you. I will even take the jigger fleas out of your feet." The tuning of the harp includes five notes of a pentatonic scale, the octave above the tonic being omitted. These Zande harp songs seem to slide into an informal start, the singers taking their time into the swing of the melody. Topical song, vertical angular Kundi harp, 5 strings.
- Full Text: false
- Date Issued: 1952
- «
- ‹
- 1
- ›
- »