Hai li holope (Who will bring Mamosi down?)
- Mamogeneholo Lephoto, Hugh Tracey
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161336 , vital:40616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161336 , vital:40616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
Hai li holope (Who will bring Mamosi down?)
- Mamogeneholo Lephoto, Hugh Tracey
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161334 , vital:40617 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Mamogeneholo Lephoto , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161334 , vital:40617 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
- Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
He! MaRahia (Hey! Russians)
- Mamojela Lesojane and large group of Sotho women, Hugh Tracey
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161499 , vital:40630 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161499 , vital:40630 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
He! MaRahia (Hey! Russians)
- Mamojela Lesojane and large group of Sotho women, Hugh Tracey
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161476 , vital:40632 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mamojela Lesojane and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161476 , vital:40632 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-09
- Description: "Mantsebo(the Paramount Chief Regent) is a jealous woman. She has taken children away from their parents and given them to the 'Russians'." The AmaRussia is one of the notorious gangs in the Johannesburg native townships. The children, they suggest, may have been girls intended for immoral purposes. Hoeing song.
- Full Text: false
- Date Issued: 1959
Hela libenche (Hey, benches)
- Malefetsane Mosese and large group of men, Hugh Tracey
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162220 , vital:40821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-05
- Description: "Hey, benches. Hey, lelingoana, benches are just enough for the Chiefs. I have no sister. I swearby stones. I swear by a rock of flint stone. Machache, Makotoko's place, Metolong. Machache is slippery because of the smoothness of the flat stones (slate). Remove your dress from the railway line, vagabond." Metolong, place near Machache. Lengae men's initiation song
- Full Text: false
- Date Issued: 1959
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162220 , vital:40821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-05
- Description: "Hey, benches. Hey, lelingoana, benches are just enough for the Chiefs. I have no sister. I swearby stones. I swear by a rock of flint stone. Machache, Makotoko's place, Metolong. Machache is slippery because of the smoothness of the flat stones (slate). Remove your dress from the railway line, vagabond." Metolong, place near Machache. Lengae men's initiation song
- Full Text: false
- Date Issued: 1959
Hela, Koqo (Hey! Koqo)
- Malefetsane Mosese and large group of men, Hugh Tracey
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162130 , vital:40761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-11
- Description: "Step slowly, you Tebele (Ndebele) youth. These people have come to listen to you and you make me sad. I always speak, Mohlakoana's son. I Thato's father, always speak. Step slowly, you Mohlakoana Tebele. I, Sekhaela's son, always speak." This song is an example of what can be done with a humming accompaniment. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Malefetsane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162130 , vital:40761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-11
- Description: "Step slowly, you Tebele (Ndebele) youth. These people have come to listen to you and you make me sad. I always speak, Mohlakoana's son. I Thato's father, always speak. Step slowly, you Mohlakoana Tebele. I, Sekhaela's son, always speak." This song is an example of what can be done with a humming accompaniment. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
Hlophe
- Malebaka Moroke, Hugh Tracey
- Authors: Malebaka Moroke , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161890 , vital:40687 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-10
- Description: "Death is painful! My husband has remained in Egypt. He is sitting in the water. He is eaten by the crabs. I did not know that that would be his fate. Pako, my child, is weeping." Her husband has gone North to the war (1939-1945). A divining song with clapping
- Full Text: false
- Date Issued: 1959
- Authors: Malebaka Moroke , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161890 , vital:40687 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-10
- Description: "Death is painful! My husband has remained in Egypt. He is sitting in the water. He is eaten by the crabs. I did not know that that would be his fate. Pako, my child, is weeping." Her husband has gone North to the war (1939-1945). A divining song with clapping
- Full Text: false
- Date Issued: 1959
Ho-ho-ho-ho ba bacha (To the young men)
- Authors: Seforo Mosese , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162003 , vital:40747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-03
- Description: "Oh, the young men, the men of LeLerotholi's place are black and are called horse-eaters. Your guns are used for shooting pigeons, and your spears for hunting mice. Let Mpaleng's father speak. Youe child looks like its father, your child looks like its maternal uncle, I resemble Mokhehle of Mokoalibe. Dun-coloured with long tears. Dun-coloured and milked by women. The child of Seforo's wife is the one who provided a bachelor with a bed." Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
- Authors: Seforo Mosese , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162003 , vital:40747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-03
- Description: "Oh, the young men, the men of LeLerotholi's place are black and are called horse-eaters. Your guns are used for shooting pigeons, and your spears for hunting mice. Let Mpaleng's father speak. Youe child looks like its father, your child looks like its maternal uncle, I resemble Mokhehle of Mokoalibe. Dun-coloured with long tears. Dun-coloured and milked by women. The child of Seforo's wife is the one who provided a bachelor with a bed." Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
Hoba Bacha (To the young men)
- Silas Khiba and Sello Kaneli and about 20 Sotho men, Hugh Tracey
- Authors: Silas Khiba and Sello Kaneli and about 20 Sotho men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161248 , vital:40609 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-01
- Description: "To the young men. It seems to be the sign to make headrings for the young. Who are you and who am I? I am Mokalia Thole. Who are you and who am I? I have found monkeys. What were they doing? They were eating fruit. I asked them to give me some. And they gave me a mouthful. A mouthful, my grandchild! You praise yourself oh, these surprises!" Mokorotlo men's riding song with Lithoko praises, and wih stamping feet.
- Full Text: false
- Date Issued: 1959
- Authors: Silas Khiba and Sello Kaneli and about 20 Sotho men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161248 , vital:40609 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-01
- Description: "To the young men. It seems to be the sign to make headrings for the young. Who are you and who am I? I am Mokalia Thole. Who are you and who am I? I have found monkeys. What were they doing? They were eating fruit. I asked them to give me some. And they gave me a mouthful. A mouthful, my grandchild! You praise yourself oh, these surprises!" Mokorotlo men's riding song with Lithoko praises, and wih stamping feet.
- Full Text: false
- Date Issued: 1959
Kerefisi
- Taba Ramothobi and large group of men, Hugh Tracey
- Authors: Taba Ramothobi and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161259 , vital:40610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-02
- Description: This song refers to the late Paramount Chief Griffiths Lerotholi who was the father-in-law of Mantsebo, the present female regent of the Sotho people (1959). The words are highly poetic, difficult to translate. " Griffiths - 'Griff' of Lerotholi, Griffiths, the promiscous, piercer of women, water snake of Mokhachane (Moshoeshoe's fater). Civet cat, crocodile, one-eyed snake. Rasenqu (Father of the Orange river, the Senqu). You should prosper!" Mokorotlo songs to be sung on horseback.
- Full Text: false
- Date Issued: 1959
- Authors: Taba Ramothobi and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161259 , vital:40610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-02
- Description: This song refers to the late Paramount Chief Griffiths Lerotholi who was the father-in-law of Mantsebo, the present female regent of the Sotho people (1959). The words are highly poetic, difficult to translate. " Griffiths - 'Griff' of Lerotholi, Griffiths, the promiscous, piercer of women, water snake of Mokhachane (Moshoeshoe's fater). Civet cat, crocodile, one-eyed snake. Rasenqu (Father of the Orange river, the Senqu). You should prosper!" Mokorotlo songs to be sung on horseback.
- Full Text: false
- Date Issued: 1959
Khajoane Ntseke (The Crow)
- Malebaka Moroke, Hugh Tracey
- Authors: Malebaka Moroke , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161747 , vital:40659 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-01
- Description: "Crow, go and call my uncle. Uncle should come and see the work that is being done." Grinding son.
- Full Text: false
- Date Issued: 1959
- Authors: Malebaka Moroke , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161747 , vital:40659 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-01
- Description: "Crow, go and call my uncle. Uncle should come and see the work that is being done." Grinding son.
- Full Text: false
- Date Issued: 1959
Koekoe (Partridge)
- Matumo Matsinyane, Hugh Tracey
- Authors: Matumo Matsinyane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161862 , vital:40684 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-08
- Description: The performer was a middle-aged woman. De Aar is the name of a South African railway center. The Jew's harp is of the familiar pattern brought in the local trading store. Tune of the Jew's harp - Sekebeku.
- Full Text: false
- Date Issued: 1959
- Authors: Matumo Matsinyane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161862 , vital:40684 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-08
- Description: The performer was a middle-aged woman. De Aar is the name of a South African railway center. The Jew's harp is of the familiar pattern brought in the local trading store. Tune of the Jew's harp - Sekebeku.
- Full Text: false
- Date Issued: 1959
Koekoe (Partridge)
- Matumo Matsinyane, Hugh Tracey
- Authors: Matumo Matsinyane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161863 , vital:40685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-08
- Description: The performer was a middle-aged woman. De Aar is the name of a South African railway center. The Jew's harp is of the familiar pattern brought in the local trading store. Tune of the Jew's harp - Sekebeku.
- Full Text: false
- Date Issued: 1959
- Authors: Matumo Matsinyane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161863 , vital:40685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-08
- Description: The performer was a middle-aged woman. De Aar is the name of a South African railway center. The Jew's harp is of the familiar pattern brought in the local trading store. Tune of the Jew's harp - Sekebeku.
- Full Text: false
- Date Issued: 1959
Lako (Lako, place name)
- Mokemane Mokemane and group of men, Hugh Tracey
- Authors: Mokemane Mokemane and group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162202 , vital:40819 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-03
- Description: "When you go to Lako leave your pin behind. The girl at Lako will pin your blanket for you. They wear green headscarves which become them." A large safety pin is used for pinning the ends of blankets. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Mokemane Mokemane and group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162202 , vital:40819 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-03
- Description: "When you go to Lako leave your pin behind. The girl at Lako will pin your blanket for you. They wear green headscarves which become them." A large safety pin is used for pinning the ends of blankets. Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
Lesole lea lema (The soilder is an indulgent man)
- Nkhethoa Leuta and Silas Khiba, Hugh Tracey
- Authors: Nkhethoa Leuta and Silas Khiba , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161272 , vital:40611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-03
- Description: "The soilder, Mpoi's relative is a violent man. The cow which has been claimed by Malito custom is a soilder boy. It has happened in spite of the 'cousin' (relationship). We, Mpoi's relatives, are Christians. We have been given the staff of Christianity." The staff or rod is meant to indicate the badge or symbol of the professing person, in this case, his religious association. The Malito custom is such that a thing dropped or neglected can be claimed by another, like 'Snap' in the child's game. Mokorotlo songs to be sung on horseback.
- Full Text: false
- Date Issued: 1959
- Authors: Nkhethoa Leuta and Silas Khiba , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161272 , vital:40611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-03
- Description: "The soilder, Mpoi's relative is a violent man. The cow which has been claimed by Malito custom is a soilder boy. It has happened in spite of the 'cousin' (relationship). We, Mpoi's relatives, are Christians. We have been given the staff of Christianity." The staff or rod is meant to indicate the badge or symbol of the professing person, in this case, his religious association. The Malito custom is such that a thing dropped or neglected can be claimed by another, like 'Snap' in the child's game. Mokorotlo songs to be sung on horseback.
- Full Text: false
- Date Issued: 1959
Libajele (They have eaten them)
- Makhooa Mosese and Sotho men, Hugh Tracey
- Authors: Makhooa Mosese and Sotho men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161992 , vital:40745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-02
- Description: The use of the word 'Amen' is not to be taken as religious. Without knowing its meaning, they used it here to indicate the end of the song. "They have eaten them (people) and left nothing except their faces. Seeiso left his Chieftainship place and went to the outlaying villages. Amen!" Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
- Authors: Makhooa Mosese and Sotho men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161992 , vital:40745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-02
- Description: The use of the word 'Amen' is not to be taken as religious. Without knowing its meaning, they used it here to indicate the end of the song. "They have eaten them (people) and left nothing except their faces. Seeiso left his Chieftainship place and went to the outlaying villages. Amen!" Mokorotlo riding song.
- Full Text: false
- Date Issued: 1959
Lumela Koete(Good morning, sir)
- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey
- Authors: Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161575 , vital:40641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-10
- Description: Koete is a well-dressed man, a smart man. "Good morning, Koete! How tall is my friend? He is very small for so large a name. Good morning to you. Yes, te same to you , Koete. 'Hippy' is a brave man. It is living in difficult surroundings,". Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161575 , vital:40641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-10
- Description: Koete is a well-dressed man, a smart man. "Good morning, Koete! How tall is my friend? He is very small for so large a name. Good morning to you. Yes, te same to you , Koete. 'Hippy' is a brave man. It is living in difficult surroundings,". Hoeing song.
- Full Text: false
- Date Issued: 1959
Lumela Koete(Good morning, sir)
- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey
- Authors: Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161616 , vital:40642 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-10
- Description: Koete is a well-dressed man, a smart man. "Good morning, Koete! How tall is my friend? He is very small for so large a name. Good morning to you. Yes, te same to you , Koete. 'Hippy' is a brave man. It is living in difficult surroundings,". Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161616 , vital:40642 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-10
- Description: Koete is a well-dressed man, a smart man. "Good morning, Koete! How tall is my friend? He is very small for so large a name. Good morning to you. Yes, te same to you , Koete. 'Hippy' is a brave man. It is living in difficult surroundings,". Hoeing song.
- Full Text: false
- Date Issued: 1959
Lumela Koete(Good morning, sir)
- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey
- Authors: Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161584 , vital:40644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-10
- Description: Koete is a well-dressed man, a smart man. "Good morning, Koete! How tall is my friend? He is very small for so large a name. Good morning to you. Yes, te same to you , Koete. 'Hippy' is a brave man. It is living in difficult surroundings,". Hoeing song.
- Full Text: false
- Date Issued: 1959
- Authors: Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161584 , vital:40644 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-10
- Description: Koete is a well-dressed man, a smart man. "Good morning, Koete! How tall is my friend? He is very small for so large a name. Good morning to you. Yes, te same to you , Koete. 'Hippy' is a brave man. It is living in difficult surroundings,". Hoeing song.
- Full Text: false
- Date Issued: 1959
Mammalo Sebolelo
- Lesoli Maboka and large group of young men, Hugh Tracey
- Authors: Lesoli Maboka and large group of young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161280 , vital:40612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-04
- Description: "You don't speak about a boy with an onion headdress. I don't speak about our uninitiated girls. I don't speak about earings that become me nor about your buying earings or bungles." Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Lesoli Maboka and large group of young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161280 , vital:40612 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-04
- Description: "You don't speak about a boy with an onion headdress. I don't speak about our uninitiated girls. I don't speak about earings that become me nor about your buying earings or bungles." Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959