Tuibale bonse nwe nseba (Let's flock together like nseba birds)
- Edward Shoni and group of 6 Aushi men, Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Date Issued: 1957
Ukuteka imbwa mano (To keep a dog)
- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140058 , vital:37828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
- Description: This song is based on an old traditional song teaching good behaviour. "To keep a dog one must be wise-if you take a stick it will run away. In the same way we must be tactful with our wives. If we use force, we shall fail to control them. A bad wife is not neccessarily the one who talks too much, and a good wife is not neccessarily one who talks less. By all means, let us see what we see, but we should not give our ears to everything we hear." The singer adds: "I heard this song from the Lala." The whole song is performed in a kind of recitative with call and answer. Morality song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140058 , vital:37828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
- Description: This song is based on an old traditional song teaching good behaviour. "To keep a dog one must be wise-if you take a stick it will run away. In the same way we must be tactful with our wives. If we use force, we shall fail to control them. A bad wife is not neccessarily the one who talks too much, and a good wife is not neccessarily one who talks less. By all means, let us see what we see, but we should not give our ears to everything we hear." The singer adds: "I heard this song from the Lala." The whole song is performed in a kind of recitative with call and answer. Morality song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
We ngoma mashiana migoti nokwinta (The dance I have danced throughout the mines)
- C. Yamba, J. Kabalale and G. Lupala, Hugh Tracey
- Authors: C. Yamba, J. Kabalale and G. Lupala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140132 , vital:37838 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-10
- Description: "The song we are going to sing you is so interesting that you will even leave your supper to come and listen to us even the police with their wives and children have left their duties just to come and hear. The Lamba people are making fun of us and saying we Aushi/Lumbo have no copper mine. But Lake Bengwelu is our mine because wheras you Lamba, you get all your wealth from the mines, we get it from our fish. In place of the jack hammers we have a net. The miners use a rock drilling machine underground, and we use a Mukwano net." Kalela dance song.
- Full Text: false
- Date Issued: 1957
- Authors: C. Yamba, J. Kabalale and G. Lupala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140132 , vital:37838 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-10
- Description: "The song we are going to sing you is so interesting that you will even leave your supper to come and listen to us even the police with their wives and children have left their duties just to come and hear. The Lamba people are making fun of us and saying we Aushi/Lumbo have no copper mine. But Lake Bengwelu is our mine because wheras you Lamba, you get all your wealth from the mines, we get it from our fish. In place of the jack hammers we have a net. The miners use a rock drilling machine underground, and we use a Mukwano net." Kalela dance song.
- Full Text: false
- Date Issued: 1957
We nkalemo yachile (The leader (lion) of the dance)
- T. Sibakwe, N. Veleshiano and S. Mwansa, Hugh Tracey
- Authors: T. Sibakwe, N. Veleshiano and S. Mwansa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140123 , vital:37836 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
- Description: "How many tribes are there? The Lamba, the Lenje, the Lumbo not forgetting the Kande, because we admire their language. We make fun of the Nyakyusa and the Kasai, on account of their dress; plain dresses are just as good. Look at a girl from the Mumbo region, she does not dress like a Kasai, yet look at her beautiful clothes. When you change over from your country dress, do not take quickly to town dresses and become a prostitute. Kalela dance song.
- Full Text: false
- Date Issued: 1957
- Authors: T. Sibakwe, N. Veleshiano and S. Mwansa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140123 , vital:37836 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
- Description: "How many tribes are there? The Lamba, the Lenje, the Lumbo not forgetting the Kande, because we admire their language. We make fun of the Nyakyusa and the Kasai, on account of their dress; plain dresses are just as good. Look at a girl from the Mumbo region, she does not dress like a Kasai, yet look at her beautiful clothes. When you change over from your country dress, do not take quickly to town dresses and become a prostitute. Kalela dance song.
- Full Text: false
- Date Issued: 1957
Weufwaya muchinshi She who would be respected)
- William Mapulanga and Friends, Hugh Tracey
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139895 , vital:37804 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
- Description: "If all women had manners like the Nyayusa women, who kneel and clap their hands when they meet a man, the world would be much improved." "She who would be respected should follow the exampleof the Nyakyusa women." Topical song with guitar, rattle and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: William Mapulanga and Friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139895 , vital:37804 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
- Description: "If all women had manners like the Nyayusa women, who kneel and clap their hands when they meet a man, the world would be much improved." "She who would be respected should follow the exampleof the Nyakyusa women." Topical song with guitar, rattle and bottle.
- Full Text: false
- Date Issued: 1957
Yaku Kasama munenu wamukake Nshimbi (At Kasama they put the handcuffs on me)
- Stephen Tsotsi Kasumali and 3 friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139945 , vital:37816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
- Language: Ruund
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139945 , vital:37816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
- Full Text: false
- Date Issued: 1957