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Paseka oa tseka (Paseka is complaining)

  • Authors: Mahlapane Qalike and group of Sotho women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162304 , vital:40831 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-13
  • Description: "Paseka is disputing over a piece of land, foolishly. He is disputing over the site behind Semoti's house. You, Mampolletse of Makhaba, The thing becomes more serious at night. Do not give Mahlapane any corn she does not hoe her cornfields. If my voice were a clock I would be ringing it through to Natal. To my friend at Monyameng. The length of a bundle of reeds." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Paulo (Paul)

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161816 , vital:40679 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-04
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Pholo ha lieme (Stop the ox-span)

Piroena eo ke e bireng (The language I speak)

  • Authors: Relechate Ntsolo and Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161002 , vital:40579 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-04
  • Description: "This language I speak, you speak without knowing it. In the battle of tongues, I should have been a lawyer. The language which is widely understood. You should have made holes in the mountains, so that I could go in and see the country between Natal and Aooeng. And the land between Winburg and Bloemfontein." "Aooeng" means 'the place where people say Aooeng'. i.e. the Eastern Free State, a reference to their mode of speech or dialect. Walking song.
  • Full Text: false
  • Date Issued: 1959

Ramanaka (Ramanaka,name)

  • Authors: Motlatsi Raseile and small group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162192 , vital:40818 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-02
  • Description: This Lengae is sung when boys are going up to the initiation school. "At Mojela's place, my ho,e, Tebang is ruled by boys. I am a companion of girls and boys. A companion of Motlatsi and Maparaka. I remember the well-dressed Moeketsi. You speak of me or of whom? The modern young men or the modern young girls? Tebang is ruled by Chief Thabo. Tsakholo on the pool, boys. Mu mother and father are weeping. Weeping for their son."Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Re roala masale (We wear earings)

Seithataki (An immaculate person)

  • Authors: Mosinoa Moea and group of 12 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162092 , vital:40756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-08
  • Description: "Basutoland, my fatherland." "Bushman's Nek is near Machache, in the mountains. I joined up for woek on the mines. When I arrived there I found myself in difficulties. I was with Molelekoa son of Smith. I crossed the Vaal very early in the morning. That was when I was nearly swept down the river. Perhaps it was because I was running away. Running away, leaving my passes on the veld. I left mine in the Western Transvaal. I left my pass and my tax receipt." Mohobelo dance song with hissing.
  • Full Text: false
  • Date Issued: 1959

Sekhobe (the name of a Chief)

Sekupu ! (Drums)

  • Authors: Lesole Motsoari, 3 diviners and a group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161028 , vital:40583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-05
  • Description: The leader shook his shoulders and body during the song, which movement can be heard in his voice. "Drums!" "At Sione they caught a baboon with long hair Maupha's anger! It is father - boy - (untranslatable). Their anger!. It is father 'Manyetse' (long hair). I am the baby boy." Chorus "Siyavuma." The speaker ends each line with the word "Khanya" (light). The frame drum had crossed wires at the back which were used to hold the drum in the left hand. Both drums were of metal and the usual membrane, they say, is either cow or horse hide. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

Seolhla (song)

  • Authors: Jane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162101 , vital:40759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-09
  • Description: "Seolhla" is another way of saying "song". It may also be the name of a person as in this song. "Seolhla has left us. Those men on the way to Matsieng have left us behind. Seolhla is riding. If I eat food I will die and leave them to thie love. These wicked people." Mohobelo dance song with stamping of feet.
  • Full Text: false
  • Date Issued: 1959

Sutha tseleng (Get out of the way)

  • Authors: Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161104 , vital:40592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-11
  • Description: "Get out of the way. Don't be frightened by gossip, girls, gossip is always a storm in a village. Don't change your abode just because somebody says he loves you. You will find people like that wherever you go. A woman is a dog for whom everybody wants to die." The last line seems to mean that just as an owner is ready to die for his dog should anyone molest it, so a man is ready to die for a woman should she be attacked. The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
  • Full Text: false
  • Date Issued: 1959

Tau lia rora (Lions roar)

  • Authors: Group of 15 Sotho girl initiates , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162256 , vital:40827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-09
  • Description: The singers sat in a close circle on the ground with one in the middle. The grass or masks decorated with fringes of beads or woollen balls. Patterns were worked in the clay daubed on their legs. The singers made their exit in single file to dance in a circle some distance away. They carried long forked wands. "Far down, Lions are roaring. What are they eating that causes them to roar so? They eat small insects. The owner of the grey horse gallops it towards Taung. The Tembu woman who has run away must be brought back to the place where the women are. The song is finished. The song of your companions." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Teohela Silatsatsi(Go down Silatsatsi)

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161821 , vital:40681 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-05
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Teohela Silatsatsi(Go down Silatsatsi)

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161834 , vital:40680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-05
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Terene ea malahla (The train)

Thota peli na Molapo (The rolling downs of Molapo)

  • Authors: Group of 20 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161066 , vital:40588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-08
  • Description: The soloist rises in pitch throughout the song. "Rolling downs of Molapo. Mokale and Khethisa are quarreling over the spring at Nkala. Horses are saddled. Who is the mother of the unmarried girl? Giver her a letter, Makamore, the marriage letter. There is a fight at the rolling downs. Horses should be saddled. They are going to Maseru. The worst singer is Raphane's mother. I shouted with a sad voice. I shouted and shook the graves. Women's party song with clapping.
  • Full Text: false
  • Date Issued: 1959

Tsa Mehlaka(Marsh mice)

Tsemeli e Telele (The Butcher bird)

Tsoanya (Sweet sound)

Lengae

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